", "F21: "A Chorus Line" (February 2013). However, if a theatre has this section, the Balcony will have the cheapest tickets in the house. It was only after the June 2016 refurbishment, the theatre was named the Nol Coward Theatre. ", Row G: (LIF). Row A is worst and Theatremonkey would not willingly sit here even if given free tickets (though many readers would!.) Numbers "3" and "5" and "8" are easily confused and need to be checked when transcribing or scanning texts. I would rather pay more than be frustrated at a wasted early morning buying these as "day seats.". Theres not a lot of leg room but its a fairly short show we we coped! The London Palladium opened on Boxing Day of 1910. Do remember that the desk will really block views for those directly next to it. In fact, they're OK (especially if discounted). There was no one in F9 which meant we had some extra space which also made the difference. The seats were small but comfy, and there was more legroom than most (but not great if you have long legs). But if you have money to burn, they do offer a good view. Operated by the venue, Monday to Saturday from 10am to 5:30pm. ", "I32: "A Chorus Line" (February 2013). There was limited leg room but the seats are advertised and sold as limited. Stalls down 12 steps from the main entrance. No problem in seeing the yellow brick road, Dorothys red shoes or Toto the dog. Transfer is possible to any aisle seat. Also, the platform had thin pillars going down to the stage so it blocked some of the view. ", Row R: We were seated right in the middle of row R in the stalls and found the view to be very good, apart from at the end where the escapees on the mountain were lost for a few seconds as the mountain turned. This theatre has run a few favourite musical names like Andrew Lloyd Webbers 'Cats' and it will be home to the world premiere of Andrew Lloyd Webber's musical 'Cinderella'. 1, 3, 6, 7, 8, 12, 13, 15, 16A, 23, 25, 53, and 73 all stop on Oxford Street. Because I couldn't see the stage floor the set was so magical because it just appeared, I had no idea where it was coming from which made it spectacular!!! Handrails on both sides of most staircases, some steps highlighted. Here is a complete list of venues on SeatingPlan.net. If I were to sit here again I would chose the centre block in rows D to F only! Prices below were compiled as booking originally opened. These were fabulous viewing - the view was fine, can't see the people's feet but not that you would want to!!! A quirk of architecture though means row K 19 to 36 gets a little more than the rest, and a reader noted side block L is also more generous. Good value for money but, being right at the side, you do miss some of the action on the far left of the stage and right at the back as the stage is very high. ", "F10 and F11: Legroom was not as bad as I thought it would be (I am 5ft 11). Ticket agencies may sell for some events. ", "H24 and 25: "Joseph and the Amazing Technicolor Dreamcoat" (July 2021). There were 2 little children (aged about 5 or 6) in row E in front of me who I felt really sorry for, because they obviously couldn't see very well at all. ", "R7 and 8: 'Sister Act (May 2009), (James F). (mostly, editor). ", "D19: "The Wizard Of Oz" (after the stage was altered, in January 2012), I got my ticket for 35 through the Get Into London Theatre ticket promotion. The first to know about trending destinations, travel deals, tips and
TKTS, located on the south side of Leicester Square, is the most reputable stand and a great place to find last-minute deals. Designed by Ralph Knott, the building features an Edwardian Baroque style. In fact, another person told me that in the third row they could hardly see anything as the stage is VERY high for this production. An insignificant exit in the corner, marked "Exit 6, Argyll Street" is the one to take. ", "A8: The Sound of Music (2006), (Angela Xu). Group bookings:020 3925 2996 The seating arrangements in most London theatres are typically divided into 6 sections - each section with a different view, price, and certain pros and cons. Row J: I did feel a little distant from the stage and think the Upper Circle rows C to G (in the centre block of course) may well give a similar view, and 20 saving on top price. The view was excellent, no doubt helped in that nobody was sitting in front of us, and legroom was good. Moreover, there's sometimes a legroom issue, so tall people should avoid sitting here. London Coliseum. Moving inwards from the outermost aisles, the monkey would probably skip the slightly more expensive pairs next to the cheapest seats, as the curve is quite noticeable. Customers with specific requirements are advised to discuss these with the theatre prior to booking to avoid any confusion. Back to top . The best deal is to book seats in the Royal Circle as they offer excellent views at affordable prices. Seats B4, F40, N1 and N16 have extra space for one leg to stretch. Please bear this in mind when booking any seat from row T back. I was given stalls G24 and 25 for a total of 37. Closest to the stage is Row A, which consists of seat numbers 1 - 8. This beloved tale as old as time has been brought to life on stage like never before, with all the charm and elegance audiences expect from Belle and her Beast. What is important to know is that ALL restricted view side block seats are NOT for 'first timers' or those worshipping 'front and centre' but the monkey feels that given the problems (missing anything happening high up) of other similarly priced seats in the rear stalls, these two rows are going to give a chance to catch the show's atmosphere and effects in a way not possible elsewhere for the price. So it was only natural to employ the same architect, Frank Matcham. Known as the 'Albery Theatre' in the past, the theatre opened in 1903 as the 'New Theatre'. This made the seat of average comfort. Jay Shetty World Tour: Love Rules. Plenty of legroom also. Day seats. Madonna-Accessible tickets ONLY available,by registering for the various Fan Club,Citi or Verified Fan presales via www.ticketmaster.co.uk or by calling 0800 988 4440 (we expect tickets to sell quickly out on-line). The view from all seats is normally fine, set design issues aside. SPOILER ALERT Only problem there is a possibility of jerking your neck when the witch appears from the rafters (but that's all part of the fun of the show.) This unfortunate situation at least meant the person in C10 could move across one seat which was a slightly better view. ", L16, 17 and 18: The Sound of Music (Caryl). Myself and 2 children were these seats. The leg room, however, was appalling; no-one over 5ft 5 need apply!". Seats at the ends of rows may offer side-views of the stage. About; Shows; Theatres; Navigation The theatre retains many of its original features and despite its size is surprisingly intimate. Tickets start at 63.50, which is for the higher tiered seats in the upper circle, they are priced up to 85.20 . Each of these sections offers a unique view and price point and you should be well Below top price, take the seats closest to the front and the centre aisles as possible, again following the centre block rule of taking the row just behind the more expensive one in front. Extensive renovation work in 2010 means the seats are also extremely comfortable. Quite a novelty to be at the Palladium and in the stalls as I usually have to frequent the upper circle and the experience is very different from here as so much less remote. L20 and 21: (Tamara). Legroom was OK. Had empty seat next to me so could stretch out therefore not sure about legroom when full. Generally unremarkable. SeatPlan, 35 Kingsland Road, London E2 8AA. The view was excellent. The theatre opened in 1930, with the first production being a revue show directed by Andr Charlot - Masquerade. Wheelchair users and other registered disabled theatregoers can book their seats and enquire about concessionary prices that may be available to them on 020 3925 2998 This site allows seat selection for most events. You've checked the seating plan, now make your you get your James Martin Live tickets! On the other hand, if a mere 20 they are well worth a thought. We Will Rock You tickets Smaller theatres like the Dominion Theatre have just two sections - Stalls and Dress Circle. Operated by the venue, Monday to Saturday from 10am to 5:30pm. On the aisle. "Premium seat" prices affect many seats in both central and side blocks from row C back as far as row Qat some performances. It would take B and C last (C 5, 6, 32 and 33 being the first of these last resorts) as they do feel 'corner.'. ", "A23 and 24: Sister Act, (Kirsty). None of our group had cause to complain. They have informed me that the view was brilliant, they couldn't make out facial expressions, but and they didn't suffer from being next to the sound desk. ", I27 and I28 (Nigel Williams). The people in the boxes would have had a more end on view but I think they wouldn't have missed as much of the set? This policy may vary according to the production hosted, particularly for one-off concert events. Forafull discussion, opinions, reviews, notes, tips, hints and advice on all the seats in this theatre, click on "BEST SEAT ADVICE" (on the left of your screen). Built on a former ice rink, it featured a revolving stage and telephones in the boxes so that audience members might call each other. ", "G45 to 47: "Joseph and the Amazing Technicolor Dreamcoat" (July 2021). The booking process is provided by LondonBoxoffice.co.uk and booking fees may apply. Managed to get these seats on a 'day seat' rate a few hours before the show. Toilets The stage doesn't seem far away at all and as we were in seats 21 and 22 we were dead centre and had an amazing view. The stage is incredibly high, so we could see how easy it would be for people in the stalls not to be able to see what's going on. "D3 and 4 (restricted view zone when the stage was higher) "The Wizard of Oz", (David and Katie). The seats themselves are comfortable, but the leg room is dire and all the men around us looked like they were in agony. All rights reserved. These are really minor issues I found though as being that close to the stage was great! Even seven rows back here, the view was still great although I did get discounted tickets. If you go to a theatre and have seat numbers 1-4, you expect some lack of visibility down one side, but from Seat 10? Bonjour! Sun 23 April 2023. London Theatre: Tickets Reviews | News | West End | Off-West End | UK Touring Productions. The only disadvantage with this seat is that it is not on an aisle, which has its disadvantages in the interval. The middle section of the Dress Circle usually has the best views of the stage. Moving back, and into the clear view seats, if you cant get into the centre block then being just over the aisle from them isnt a bad experience. Le carnaval de Paris a fait son retour. "L26, 27, 28: "Joseph and the Amazing Technicolor Dreamcoat" (July 2021). As it is right in front of the stage, but a little elevated, those seated in this section get a full view of the stage. Below stage height some purists might wish to know that while conducting the person can be seen from most central seats. I had a very good view of the stage and close-ups on all the actors' faces. ", "M30 and 31: "I Can't Sing" (March 2014) (Chris). All other events apart from Madonna,please call 0207 087 7966 or email access@lwtheatres.co.uk. Having read various comments and seen the whole section in red I was very concerned that I might be very uncomfortable. ", "K 25 and 26: "The Wizard Of Oz" (February 2011). For seats right at the back we had a pretty decent view. We had perfect viewing seats in the stalls.". I am 6'1" so I suspect anyone sitting much closer than that would have increasingly restricted views of some of the action the closer to the stage they are. Positioning is good, far enough to take in the whole stage but able to see all expressions. The view is OK but the position does induce vertigo in some non-treetop dwellers. The curve of the row means these two have much better legroom than others in the same row should be good for someone up to about 6'. 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Most theatres have three sections: Stalls, Dress/Royal Circle, and Upper/Grand Circle. Registered in England and Wales 04120984. Formerly known as the Hicks Theatre, the theatre opened in 1906, designed by W. G. R. Sprague. Just right to feel part of the action and see the actors faces, without having to crane the neck". Was worth it, great seats with a very clear view. The 1955 television hit Sunday Night at The London Palladium cemented the publics affection for the venue, and made stars of Bruce Forsyth, Norman Vaughan and Jimmy Tarbuck who hosted the show. Your choice, feels the monkey, who would sit in row F instead. ", "Row B: Second row stalls bookable for 25 in advance. Just like the Orchestra in other theatres, the Stalls section is closest to the stage. Brilliant view. Prices normally drop at around row R, making it a bargain even if you do have to duck to try to see the top of the stage if anything exciting happens there. The original theatre opened in 1911 as the London Opera House. ", "V49: "Dick Whittington" (December 2017). In the Upper Circle, the view from the central block of seats is still very good. ", "K19 and 20: "Cats" (December 2014). From row H to L, you can go as many as 6 / 8 seats in rows from N to W, off centre and get a very acceptable view. What a bargain ! Amal has always been fascinated by people, culture, and languages. All rights reserved. My companion felt unwell having to look up at the stage. ", C31 and 32: (K Fried). You get to best appreciate this show from the stalls because of the audience interaction. This would not make a huge difference but it is advisable you check the theatre seating plan before booking your tickets. The Dress Circle overhang just touches the top of the stage here, so row V would have the very top cut off. ", "T38, 39 and 40: Good rake, clear - if a bit distant - view, decent legroom, overhang high enough not to be an issue. (Thinking about it, the monkey recalled the road raising as it lit, but on the other two issues it thought they can only be solved by making Toto a Great Dane and giving Dorothy platform Ruby Slippers, it guesses)., "F12 and F13: The Wizard of Oz. As is the case with the majority of . The Dress Circle is split into three blocks, centre and two sides by aisles. 50 steps. A fantastic show, but nearly ruined by the lack of leg space. Throughout its history, it has hosted plays including The Sound Of Music and a revival of Cats. You are very high up but have a largely clear view because of the rake. ", B22 and 23: The Wizard of Oz, (Chris B). ", "Row H: "Lord of the Dance" (September 2014). Upper Circle seat H20 reviews at the London Palladium. 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Seat from row T back is dire and all the actors faces without...